This is one of the most remarkable pieces of political satire I've ever seen, and one of the most brutal. And it comes from...puppets. The puppets in question are the brilliant Spitting Image, a British TV series that ran from 1984 to 1996. Created by Peter Fluck and Roger Law with Martin Lambie-Nairn, the show used phenomenally accurate yet overdone caricatured puppets to took a scathing look at politics and society, with a special place in its heart for the Royal Family, and didn't spare Americans any either. (An episode I once saw had Ronald Reagan at a dinner party. As he was talking blather, a guest came by, lifted up the top part of he head on a hinge, dug a fork in and spun it around like trying to get spaghetti. He then popped the top of the head back in place and wandered off.) How does this relate to Berlin? I'll get to that. But first, a bit more about Spitting Image. The show won 10 BAFTA Awards, and even won two Emmys in the U.S. (in 1985 and 1986) when the did a few specials, in hopes of building interest for a series. I suspect the show was far too biting for American tastes, and perhaps still skewed a little too British. But scathing is the word. As much as Americans might think they're tolerant of political satire, I don't think I've seen much that compares to Spitting Image. And this particular clip is easily the most scathing of all. I can't even begin to imagine it making it on the air in the U.S., nor what the reaction would have been if it had. I saw this at what I believe was a Museum of Broadcasting event that was a tribute to Spitting Image. The whole evening was wonderful, but when they showed this clip, the room was stunned. It aired on June 11, 1987, as the last scene of an Election Special. The show aired right after the polls closed, with the presumption that the Margaret Thatcher Government would win in a landslide. You won't recognize most of the British politicians, no doubt, but the point of the sketch is as clear as could be. There is no subtlety here. Subtlety is thrown far out the window. The song they sing is from Kander & Ebb's musical Cabaret -- which was based on the play, I Am a Camera by John Van Druten, which in turns was based on two short novels by Christopher Isherwood, The Berlin Stories. See! I told you I'd get around to the Berlin connection! Again, remember two things as you watch the video -- the first is that this was the end of the Election Special as the Thatcher Goverment won in a landslide...and second I can't even begin to imagine this on American television. You can get away with more things when it's puppets, but...still. This is remarkable. And that's no hyperbole.
4 Comments
Douglass Abramson
9/5/2014 10:45:02 am
Tommy Smothers would have killed to get this on either version of their CBS show.
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Robert Elisberg
9/5/2014 03:37:41 pm
I've watched the entire Election Special, and while this video was the most brutal, there's another short passage that's even more direct, believe it or not. It's talks about Margaret Thatcher's different voices depending on the condition, and for one them them they have her puppet lip-syncing to Hitler. The remarkable thing is that not only did "Spitting Image" have deeply-cutting satire throughout the special, it's what they did every week. Any one of them would have outraged CBS censors. (I'll post the full Election Special at some point...)
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Douglass Abramson
9/5/2014 04:49:55 pm
I became very taken with Spitting Image after The Land of Confusion and watched most, if not all, of the American TV specials. It doesn't surprise me that the home brew was considerably stronger than the exported product. Heck, I even watched D.C. Follies; a very similar show from Sid and Marty Krofft. It was very watered down Spitting Image and even that couldn't get on network TV. It was sold into first run syndication instead and, at least in Southern California, it aired in very quirky time slots. If I'm remembering correctly it usually aired on Saturday afternoons, just where you'd expect to find political satire.
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Robert Elisberg
9/6/2014 07:55:49 am
Yes, there's no comparison between what was acceptable to British TV in political satire, and the U.S. And yes, "D.C. Follies" was a paltry copy.
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AuthorRobert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. Feedspot Badge of Honor
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