This is a good way to finish off our Thanksgiving Fest.

I'm a big fan of Jack Benny, and have been since a kid.  Perhaps I got it from my Grandma Rose who loved The Jack Benny Program, and I remember watching his TV show with her when little.  Later, when I was at a senior at Northwestern I finally had built up enough contacts to figure out how to get access to their great radio archive -- it was like entering a wonderful, wall-to-wall recordings of old radio programs, and I was able to tape record a bunch of old Benny shows for my collection, which I still have.  They're gems.

It turns out that my friend and reader of these pages, Eric Boardman -- an all-around talented fellow and Second City alum -- is quite the fan, as well.  He sent me the following several months back, about the Jack Benny Show's Thanksgiving special on November 30, 1952 --

"It's no secret, I am obsessed with the Jack Benny radio show. Each night I listen to an episode on my phone as I fall asleep. (Do you conk out with a smile on your kisser?)
 
"Yes, I know Thanksgiving is long over, but this particular program will bring joy to any season. Today's sitcom staffers should study the construction. And everybody else should howl with laughter---and marvel at the gags radio encourages. Benny's writers are constantly surprising us with 'visual" images' And Mr. Benny generously shares the jokes with his crackerjack cast. (Thanks always to the Sportsman Quartet for making cigarette commercials satisfying.) 'The Lucky Strike Program with Jack Benny' is high art, maybe the highest of the genre.
 
"Happy listening!" 
​

Every year around this time, there are articles about which recorded version of A Christmas Carol is "the best."  Usually it comes down to the films that starred either Alistair Sim or Reginald Owen.

But for me, it's this one.  It's not a movie, though, or a TV production.  It's, of all things, an hour-long audio version that was done in 1960 for, I believe, the BBC.  It's quite wonderful and as good an adaptation of the story as I've come across.  It stars Sir Ralph Richardson as Scrooge, and Oscar-winner Paul Scofield as Dickens, the narrator.  Casts don't get much better than that.

I first heard this on radio station WFMT in Chicago which has been playing this every Christmas Eve for many decades.  Eventually, I found it on audio tape.  I've listened to it annually since I was a kidling.  Some years I think I won't listen to it this year, but put it on for a few minutes for tradition's sake -- but after the first sentence it sucks me in.

There are four reasons why, for me, this is far and away the best version. But one reason leaps out.

First, the acting is as good as it gets.  Scofield is crisp and emphatic as the narrator, and almost every creak of his voice draws you in to the world, and Richardson as Scrooge is a Christmas pudding joy.  Second, being radio, you aren't limited by budgets to create the Dickensian world.  Your imagination fills in every lush and poverty-stricken, nook and cranny -- and ghostly spirit, aided by moody sound effects and violins.  Third, the adaptation sticks  closely to the Dickens tale, and Scrooge comes across more a realistic, rounded-person than as a Mythic Icon.  

And fourth, and most of all by far, unlike any of the other version, this includes...Dickens.  While the story of A Christmas Carol is beloved, it's Dickens' writing that makes it even more vibrant than the story alone is.  And that's all lost in the movie versions, even down even to the legendary opening line, "Marley was dead, to begin with."  Or any of the other classic narrative lines.  (Like my favorite, when Scrooge first comes in contact with a ghost and was "as close to it as I am now to you, and I am standing in the spirit at your elbow.") Or the richness of Dickens setting the mood and tone and description of the gritty and ephemeral and emotional world.  All that's gone in movie versions, good as the productions may be.  (One semi-exception: they use 'Gonzo' as a sort-of Dickens narrator in the Muppet adaptation of the story, and that's great -- though ultimately it's a Muppet version and fun, good but hardly a definitive telling...) But all of that Dickens narration is here in this radio adaptation, and Scofield's reading of it is joyously wonderful and memorable.  For many, this will be A Christmas Carol unlike any other you're aware of, giving it a meaning and richness you didn't realize was there.  The ending of the tale is so much more moving and joyful here, as we listen to Dickens' own words, that begin with "Scrooge was better than his word.  He did it all, and infinitely more," and it soars from there, to perhaps my favorite extended passage about the new Scrooge and how good he is in the "good old world. Or any other good old world."

If you have the time or inclination, do give it a listen.  If only for five minutes to at least get the flavor.  You might find yourself sticking around.  Let it play in the background, if you have other things to do.  It runs about 55 minutes.

(Side note:  speaking of Dickens, if you know the original Broadway cast album of Oliver!, the actor here who plays the Ghost of Christmas Present, Willoughby Goddard, was Mr. Bumble on Broadway and also in the original London production.)

Normally I would post this later in the evening -- but given the various time zones across the country, I thought that I'd get it embedded earlier to give as many listeners as possible the chance to hear it on Christmas Eve.

This might not play immediately, since it's a large file and may have to buffer first.  But be patient, it's worth it.​​

Today, we'll have a festival of sorts of Thanksgiving related pieces -- from songs to videos to old radio shows.  And this is a good place to start.

I'm a big fan of Jack Benny, and have been since a kid.  Perhaps I got it from my Grandma Rose who loved Benny, and I remember watching his TV show with her when little.  Later, when I was at a senior at Northwestern I finally had built up enough contacts to figure out how to get access to their great radio archive -- it was like entering a wonderful, wall-to-wall recordings of old radio programs, and I was able to tape record a bunch of old Benny shows for my collection, which I still have.  They're gems.

It turns out that my friend and reader of these pages, Eric Boardman -- an all-around talented fellow and Second City alum -- is quite the fan, as well.  He sent me the following several months back, about the Jack Benny Show's Thanksgiving special on November 30, 1952 --

"It's no secret, I am obsessed with the Jack Benny radio show. Each night I listen to an episode on my phone as I fall asleep. (Do you conk out with a smile on your kisser?)
 
"Yes, I know Thanksgiving is long over, but this particular program will bring joy to any season. Today's sitcom staffers should study the construction. And everybody else should howl with laughter---and marvel at the gags radio encourages. Benny's writers are constantly surprising us with 'visual" images' And Mr. Benny generously shares the jokes with his crackerjack cast. (Thanks always to the Sportsman Quartet for making cigarette commercials satisfying.) 'The Lucky Strike Program with Jack Benny' is high art, maybe the highest of the genre.
 
"Happy listening!" 
 

​With all the serious talk now about Climate Change following the hurricane devastation in the Gulf Coast and the disaster flooding in the northeast -- not to mention the crushing wildfires across the West, it would be really appropriate if all the news networks had AL GORE on – and not just on once, but as a regular guest. But even just once would be a step in the right direction.
 
I mean, seriously, folks, He only won a Nobel Prize for his work on Climate Change. And made a documentary, An Inconvenient Truth about Climate Change that won the Academy Award for Best Documentary.  And lectures on the subject.  And written books on it.  And, y'know, is also a former Vice President of the United States.
 
I admit to being biased about this.  But it’s the reason I’m biased that supports fully why I’m right.  But then, this is a no-brainer, anyway.
 
However, back in 2008, I was hired to be the writer on a proposed radio series that Al Gore would do about the environment.  It would be 90-second features each day on a national radio syndicate put together by Westwood One (the organization that, among other things, distributes NFL football.)
 
I interviewed with him in a hotel room and was told bluntly by an aide that this would be 15 minutes.  It ended up going so well, we spoke for 15 minutes.  I gave him several articles I’d written for the Huffington Post, but the most nerve-wracking part was when I handed over the material, I saw that the piece on top was an article on why Al Gore should be president.  That wasn’t the nerve-wracking part – it’s that when I so a piece like that, my style is to bring up the negatives first, knock them down and then make the case.  And among the “negatives” were that Al Gore had the reputation of being wooden and boring, that he supposedly claimed to invent the Internet, and that he was a loser (despite winning the popular vote) and that his talk about Climate Change meant he was crazy.  I’d meant to bury the article among the others, but there it was on top.  And when he took the pile, he couldn’t help see it – and so, as I thought was likely, he decided to read it right there, in front of me.  As I waited and sweated.  As he got to the end of the first page, where I wrote about Bill O’Reilly calling him crazy, I held my breath – and then saw him laugh and under his breath quote the passage, “the craziest speech I’ve heard in my life” and then laugh again. I thought there was a good chance then that I was safe.  And then, after reading the last paragraph where I wrapped the thesis up with why Al Gore would make a great president, he looked over and very quietly said, “Thank you.”
 
My favorite part of the experience was as we were preparing for the recording session to make the demos, I was sending him material of what I was working on.  And one day, the phone rang, and I heard, “Hi, Bob, this is Al Gore.”  I immediately replied in a sort of weary voice, “Do you know how many times a day someone says that to me??”  Fortunately, he burst into a laugh.  But what most impressed me was that he hadn’t had an assistant call and say, “Are you in for Al Gore?  Please hold.”  He just picked up the phone himself.  What I also remember was having to restrain myself from laughing during the call because of the ludicrous reality of talking with Al Gore about this project we were working on, while eating a bowl of cereal for lunch.
 
Our small group flew from Los Angeles down to Nashville to meet, go over the project and then record the demos.  We got together for lunch at the Gore home (which was delicious), but it’s the conversation in the backyard that was most memorable.  That’s because of two things, keeping in mind that it took place during the primary season before the Democratic Convention when Barack Obama and Hilary Clinton were running against one another:
 
One was when someone asked if he had any interest in helping broker the convention, which was being proposed by some at the time.  He had absolutely none, and had no interest in running again in case the party couldn’t decide on a candidate.  So, from that point on when I’d hear expert TV analysts wondering if Al Gore might be a dark horse candidate, it felt really good knowing more than them and shouting at the TV, “No!  He isn’t going to run!  I know.  He told me.”
 
The other was when an aide that there was an important call for him.  He apologized to the group, took the phone and walked off – when we heard, “Hi, Barack.”  They spoke for a long time – we even started lunch without him and could see him walking back-and-forth in his front yard.  Eventually, he rejoined us, and nothing was said for about a half-minute until finally someone said, “Soooooo???!!!!!”  He said it wasn’t a big deal, just some questions about campaigning, and he said that he made himself available to both sides, that he talked with Hilary as much as Barack.  But the best part came many months later.  That’s when one of the big papers broke a major scoop that the now-nominee Barack Obama had spoken with Al Gore before the convention.  It was very nice to have had that scoop first, months before, when it happened.

The recording session went well.  He’d previously told me a range of issues that interested him, I would then put together a list I’d researched, he approved the ones he liked, I’d research them further to fill in the details, we talked about them, then I wrote the scripts.  At the recording session, he went over the script, making the changes he felt it needed and rephrasing the material to fit him.  He recorded six of the scripts, though rejected one – not because he didn’t like it but he said he didn’t know that area well enough yet, and didn’t want to put his name to something he wasn’t fully informed on.  I was sitting in the back, next to his communications director, a very nice lady named Kaylee Kreider – she could see I was still disappointed at having the script dropped, so she leaned over to him.  “Don’t feel bad,” she said.  “The last person we tried, he rejected al the scripts.  He’s approved six of yours.”
 
There was only one bad memory from the trip.  At the time we were in Nashville, there was a big country music convention or event of some sort.  (I’d taken an afternoon off to walk around the city and went to Ryman Auditorium, the original home of the Grand Ol’ Opry.)  That night, our group went to a big bar where it turned out Trisha Yearwood was brought in to perform.  After a while, the others decided to leave and go somewhere else for dinner – though I wanted to stay.  My point was that I wondered if it was possible that her new husband Garth Brooks might join Yearwood later.  But I was overruled on such a thin theory, and we left.  The next morning, I found out that, yes, Garth Brooks did show up later.  I still sigh about it periodically…
 
In the end, it was a great experience, but came to nothing.  They actually got 200 radio stations to sign up and raised what struck me as a lot of money.  But at that point, most anything would strike me as a lot of money.  And as much as it was, it wasn’t enough for what Westwood One and Al Gore needed for the time and expenses it would take to pull off such a project in an ongoing basis.  So…This Nearly Was Mine, as the song goes.  But it was a wonderful project to do. even if didn’t come to fruition.  And Al Gore was a good enough guy – behind the scenes, away from cameras – and warm and funny, to make me admire him even more than I had when I wrote the article on why he should be president.
 
Though the radio series never made it on the air, I do have the 5-minute promotional track that was put together, which includes three of the scripts I wrote that Al recorded.  I didn’t write the promo, but my material starts around the one-minute mark.
 
Which bring us back to the original point – that every television network should have Al Gore on as a Nobel Prize-winning expert guest on Climate Change.  That his film won an Oscar and he’s a former Vice-President of the United States – who ran for president and actually got the most votes, but it took a strange “one-time only” Supreme Court decision that offered no precedent to keep him from taking office – is just a bonus.

Every year around this time, there are articles about which recorded version of A Christmas Carol is "the best."  Usually it comes down to the films that starred either Alistair Sim or Reginald Owen.

But for me, it's this one.  It's not a movie, though, or a TV production.  It's, of all things, an audio version that was done in 1960 for, I believe, the BBC.  It's quite wonderful and as good an adaptation of the story as I've come across.  It stars Sir Ralph Richardson as Scrooge, and Oscar-winner Paul Scofield as Dickens, the narrator.  Casts don't get much better than that.

I first heard this on radio station WFMT in Chicago which has been playing this every Christmas Eve for many decades.  Eventually, I found it on audio tape.  I've listened to it annually since I was a kidling.  Some years I think I won't listen to it this year, but put it on for a few minutes for tradition's sake -- but after the first sentence it sucks me in.

There are four reasons why, for me, this is far and away the best version. But one reason leaps out.

First, the acting is as good as it gets.  Scofield is crisp and emphatic as the narrator, and almost every creak of his voice draws you in to the world, and Richardson as Scrooge is a Christmas pudding joy.  Second, being radio, you aren't limited by budgets to create the Dickensian world.  Your imagination fills in every lush and poverty-stricken, nook and cranny -- and ghostly spirit, aided by moody sound effects and violins.  Third, the adaptation sticks  closely to the Dickens tale, and Scrooge comes across more a realistic, rounded-person than as a Mythic Icon.  

And fourth, and most of all by far, unlike any of the other version, this includes...Dickens.  While the story of A Christmas Carol is beloved, it's Dickens' writing that makes it even more vibrant than the story alone is.  And that's all lost in the movie versions, even down even to the legendary opening line, "Marley was dead, to begin with."  Or any of the other classic narrative lines.  (Like my favorite, when Scrooge first comes in contact with a ghost and was "as close to it as I am now to you, and I am standing in the spirit at your elbow.") Or the richness of Dickens setting the mood and tone and description of the gritty and ephemeral and emotional world.  All that's gone in movies, good as the productions may be.  But all of that is here in this radio adaptation, and Scofield's reading of it is joyously wonderful and memorable.  For many, this will be A Christmas Carol unlike any other you're aware of, giving it a meaning and richness you didn't realize was there.  The ending of the tale is so much more moving and joyful here, as we listen to Dickens' own words, that begin with "Scrooge was better than his word.  He did it all, and infinitely more," and it soars from there, to perhaps my favorite extended passage about the new Scrooge and how good he is in the "good old world. Or any other good old world."

If you have the time or inclination, do give it a listen.  If only for five minutes to at least get the flavor.  You might find yourself sticking around.  Let it play in the background, if you have other things to do.  It runs about 55 minutes.

(Side note:  speaking of Dickens, if you know the original cast album of Oliver!, the actor here who plays the Ghost of Christmas Present, Willoughby Goddard, was Mr. Bumble on Broadway and also in the original London production.)

Normally I would post this later in the evening -- but given the various time zones across the country, I thought that I'd get it embedded earlier to give as many listeners as possible the chance to hear it on Christmas Eve.

This might not play immediately, since it's a large file and may have to buffer first.  But be patient, it's worth it.​

We'll end our Fest with a longer, special treat.

This comes with thanks to Eric Boardman who brought it to my attention.  Eric and I share a love for Jack Benny.  He particularly loves the radio show -- and while I do, as well, I also enjoy watching the later TV version which airs two episodes ever Saturday night on the Antenna TV cable channel.

This is the "Jack Benny Thanksgiving Program" episode  from his radio show on November 30, 1952.

As Eric wrote, "Yes, I know Thanksgiving is long over, but this particular program will bring joy to any season. Today's sitcom staffers should study the construction. And everybody else should howl with laughter---and marvel at the gags radio encourages. Benny's writers are constantly surprising us with "visual" images. And Mr. Benny generously shares the jokes with his crackerjack cast. (Thanks always to the Sportsman Quartet for making cigarette commercials satisfying.) "The Lucky Strike Program with Jack Benny" is high art, maybe the highest of the genre."
 
Happy Thanksgiving.
​