I've written periodically about my friend Treva Silverman, better known (to me…but also a few others) as "TLT," The Lovely Treva. I first became aware of Treva years before I met her -- watching the credits at home back in Glencoe, Illinois, for The Mary Tyler Moore Show, and seeing an uncommon name that stood out over many episodes, 16 of them. Later, though, after I moved to Los Angeles for UCLA grad school and then sold a screenplay and joined the Writers Guild, I eventually was in a circle of writers that included Treva Silverman. ("Oh, I knew you!") The circle may have changed, but not being friends with TLT. Treva not only was the first female writer on The Mary Tyler Moore Show, but one of the first writers the show hired, period. She won two Emmy Awards for the series, including "Writer of the Year" regardless of comedy or drama, an award no longer given. Her career includes writing for such shows as The Monkees, That Girl, Room 222, and one the TV's best, but little-known most-famous flops, He & She, with Richard Benjamin and Paula Prentiss. She was writing partners with Joan Rivers, and wrote a superb, though as yet unproduced play, Scandal -- originally intended to be a musical directed by Michael Bennett (A Chorus Line) with a score by Jimmy Webb (MacArthur Park, By the Time I Get to Phoenix). So, it wasn't a shock to find that when CNN did its series on the History of Comedy, Treva was one of the people interviewed. And when HBO did its tribute documentary, Being Mary Tyler Moore, Treva was one of the people interview a lot. And there's much more. Including that early in the career, she played honky-tonk piano in bars. (Oh, okay, that wasn't exactly what it was, but I always like to describe it that way. It adds so much to her character. Not that she needs much to be added.) I bring all this up because yesterday -- I'm guessing timed for Sunday's Emmy Awards broadcast -- the Los Angeles Times had a wonderful article and interview with Treva written by Whitney Friedlander. It focused on this being the 50th anniversary of when she won that rare Writer of the Year Emmy Award, and her memories about the episode. (How rare was her Writer of the Year Emmy? It's the only time that the award was ever given! Meaning TLT is the only person ever to be named Writer of the Year at the Emmys.) By the way, it should be added that when Treva won her second Emmy Award that night for Best Comedy Writer -- for the episode "The Lou and Edie Story," about when the Grants separate -- it was the first time in Emmy history that a woman won a solo comedy writing Emmy without sharing the credit with a male. It's a wonderful, richly deserved article, and I hope people read the piece, which you can find here. And as a bonus, here's the full episode itself. There's only one thing unfortunate about it. The video starts at the very last credit, so you not only don't see the opening song sequence...but you also don't get to see Treva's credit!!! But we can rectify that latter part here (which I pulled from another video of the episode, but it's part of a collection of episodes that runs 2-1/2 hours. The reason I mention this is because, in honor of the Best Writer Emmy Award -- and Best Comedy Writing Emmy Award -- I think the writing credit deserves to be from the episode itself. And so it is. And here's the episode, "The Lou and Edie Story" --
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For the past year, I’ve been planning on posting this today, but thought about not doing so out of respect for the news. But it’s the episode’s 75th anniversary, and it’s too warm and gentle and endearing – and therefore, perhaps hopefully, all the more reason not to let the occasion pass. So, to honor what around the world is the first day of school, this episode of Kukla, Fran and Ollie has the Kuklapolitans heading back to class. As it happens, in her early life Fran Allison was a teacher, which get the Kukla and Ollie think about what it would be like having her as their teacher. And so, they and the other Kuklapolitans play “first day at school,” albeit with a log of singing. And as I said, making it all the more notable is that the episode originally aired on September 6, 1949 – 75 years ago today. In 1993, Bonnie Hunt created, wrote and starred in the sitcom, The Building. She also served as executive producer with David Letterman. When she recently did a Naked Lunch interview for the podcast with Phil Rosenthal and David Wild, she told a story about how she asked Letterman to act in one of the episodes – he agreed, but with one caveat, he didn’t want to be seen. So, the show had to figure out how to make that work. They came up with an idea where Bonnie’s character, a good girl who had a somewhat high profile in town, had to go to a video porn store to pick up her brother’s wallet -- when a robber breaks in…played by Letterman in a ski mask. (All the funnier, still smoking his cigar.) And eventually the police and TV news show up. And…well, rather than explain more, here’s the sequence – I was going to post this on Mothers Day, but the video I was trying to embed -- for reasons which I'll explain below -- wouldn't work. And try as I might, I just couldn't get it embedded. However, yesterday, I figured out a way to get it done! And rather than wait a whole year for next Mothers Day, I decided to post it today, as a bonus of sorts. Because I've been trying for years to get this posted. And now, I can. O huzzah! This is a terrific song written for the original Broadway production of Bye Bye Birdie, but never saw the light of day. The problem was that Kay Medford, the actress hired as the guilt-inducing mother of Albert (the character played by Dick Van Dyke), was a wonderful performer but couldn't sing, so they cut the song. And the same thing happened for the movie version with Maureen Stapleton. However years later when the did the remake for television in 1995, Tyne Daly had starred on Broadway in the musical Gypsy, and sang very well -- and was a big TV name, having starred for a long time in the series Cagney and Lacey. So, the song was put back in, not only because it was so good, but also I'm sure to give the actress more to do which would attract her to the part. And it's since been put back in the official version of the stage show where it is now performed in college, high school and community theater productions -- "A Mother Doesn't Matter Anymore." Alas, there is no video of the TV movie scene available on YouTube. So, for years I only posted the audio recording. And also some community theater videos -- but those weren't what was needed, not just for the performances (which were fine, but not Tyne Daly -- but even more, didn't have the great, whimsical orchestration of the TV film which I dearly love. It has a sort of honky-tonk feel to it, and a wonderful, albeit brief use of a clarinet solo as counterpoint). But good news! Though there is still no video of the scene on YouTube, the TV movie got repeated on television couple months ago -- something that is very rare, in fact I don't believe I've seen it in 30 years. However, if I recall correctly, TCM was airing a day filled with very good TV movies. So, I recorded a video of the song on my mobile phone. The quality isn't A+, but I think it's pretty good and a joy to finally include with this years Mothers Day tributes, however belated. In this TV production, Tyne Daly sings it her son played here by Jason Alexander. The problem I had posting it is because the file size was too big for the Weebly platform (that runs this website) to handle. It kept freezing halfway through the upload process. But I found online software that will compress a video's size. The quality is slightly degraded, but I checked it out, and it looks pretty close to what I originally recorded. And so, finally, after all this time -- and a five-day added delay -- here 'tis. This is a very interesting interview (and often funny) that Larry David did with Joe Scarborough for Morning Joe. It not only covers Larry's career, starting with floundering as a stand-up comic and briefly a writer for Saturday Night Live, but also has a lot of background footage about how his show Curb Your Enthusiasm is made. Most fun -- and surprising -- is hearing Larry talk about things in his life and career, and then seeing clips of Seinfeld for how they much later turned into episodes. This was quite a find and will be a tremendous treat for people who watched the recent PBS three-part series Nolly, which starred Helena Bonham Carter. If you haven’t seen it, there’s still a lot to like in this (and I’ll give some background), but again, for those who did see the show, it may blow you way. A friend highly-recommended I watch. While I wasn't bowled over by the show, I definitely enjoyed the first episode enough to keep watching, and liked the second episode even more. It was very well-produced, Helena Bonham Carter was wonderful, and it had some excellent supporting performances -- but -- it was the third episode that totally won me over. That finale episode was truly superb, on a lot of levels. And made it all highly worth-while. Nolly is the true story of Noelle Gordon, who was a wildly popular soap opera star on British television of a show called Crossroads, the queen of British soaps for 18 years – until she was fired with no explanation, sent off into the sunset, as it were, sailing away on the QE2, waving to her show’s ‘daughter’ on the dock. It was a huge national controversy at the time, she was such a beloved personality for so long. She had been on the ATV network for 26 years, and not just as an actress but was the first woman to interview a prime minister on television, and in fact was the first woman broadcast on British TV in color when it was just experimental. And how she dealt with the firing and humiliation, including going on to appear in well-regarded production of Gypsy and handling all the questions of why was she sacked, is the focus of the third segment – which has two particularly superb monologues/scenes in it. (I don’t want to describe them more, in case anyone does decide to watch the show.) For those interested, the whole thing is only about 2-1/2 hours, and you can watch it on the PBS Passport site, which you can see here after signing in with a PBS subscriber account. Here's the trailer. Which brings us to "the find", and the point of this all. This video is an appearance by the real Noelle Gordon on a British chat show that took place less than one week after her final episode aired on Crossroads. The next episode hadn’t even been shown yet. It’s a fascinating interview, open and honest, gracious and pointed, and talks with host Russell Harty about her plans ahead (including working on Gypsy!). There are also a few unexpected moments I won’t give away, but will say it is surprisingly moving at times. At one point, too, she tells a story about auditioning in front of composer Frederick Loewe for the British production of Brigadoon – a story they use in the series, and she adds more detail here. (She got cast in the show, by the way.) She even sings a couple of songs during the interview. If you watch, stick around to the very end, because it looks like they kept the cameras running even after the broadcast was over. Unfortunately, I'm unable to embed the video on an outside website, but you can watch it here on YouTube. |
AuthorRobert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. Feedspot Badge of Honor
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