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Once again, we have another compilation of musicals from the 23 years of The Ed Sullivan Show, a remarkable archive of the original casts of Broadway shows that would otherwise be lost. As always, to give full credit, these videos were compiled by Jim Berg. (I try to post these on the first Sunday of every month. If you miss any, just do a search for the word "Edstravaganza".) We begin by concluding the video that got cut off at the end of the previous compilation. This Anthony Newley finishing "Nothing Can Stop Me Now," and then going into the hit song "Who Can I Turn To?" from the musical The Roar of the Greasepaint -- The Smell of the Crowd. Worth noting in his performance of the latter is that it makes fully clear that, contrary to all other pop music recordings of the song, it is not a love song sung to a woman, but rather a man at a low point in his life, a bit lost, looking up to heaven for help from God. Hallelujah, Baby has an odd history. It won the 1968 Tony Award for Best Musical - but when it came time to put on a performance for the Tony Award, they had to get the cast back together, because the show had closed, after 293 performances. In fact, it won five Tony Awards, including Best Actress in a Musical for Leslie Uggams. She sings two songs here, "Being Good" and the title number. While this clip of Mame is from the original production, it's not the original cast. Rather, it's Jane Morgan who was the third replacement. But the song "It's Today" is an enjoyable one and a lively production number. Zorba is probably my favorite of the lesser-known Kander & Ebb musicals (who wrote Cabaret and Chicago, among many others). Unfortunately, it was hindered by an unfair problem -- its two leads, Herschel Bernardi and Maria Karnilova starred together on Broadway in Fiddler on the Roof as 'Tevye' and 'Golde." (She was in the original cast, he was the first replacement.) Both shows were written by Joseph Stein. And both shows took place in Eastern Europe. So, Zorba got looked at as if it would be just like Fiddler - and it was not at all. But audience's expectations hurt the show, which had only a fair run of 304 performances. (Interestingly, years later, a revival of the show was done with Anthony Quinn and Lila Kedrova repeating their famous film roles, and the movie's director Michael Cacoyonnis director the stage musical, and Zorba had a very successful tour of the country - where I saw it in Los Angeles -- and a solid return to Broadway.) Here, we get to see the musical's original cast with Herschel Bernardi performing the opening song and an enthusiastic production number. Husband and wife Steve Lawrence and Eydie Gormé starred in the musical Golden Rainbow. So, officially they're the "original cast" here - though their appearance is just singing the title song. (The show had a big hit to come out of it for Sammy Davis, Jr., "I Gotta Be Me.") Promises, Promises, which starred Jerry Orbach, is based on the Billy Wilder classic - and Oscar-winning Best Picture, The Apartment. (It's also the second musical I ever saw actually on Broadway.) The number here, "Turkey Lurkey Time," is a ridiculous song with insipid lyrics and doesn't advance the plot or define character one inch, but it's a lively dance number. We only see a few seconds from Look to the Lilies before the compilation cuts off. But I've posted it here before - and the next compilation with have the full sequence again.
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Ben Franklin was born on this day, January 17, in 1706 -- 320 years ago today. And as I like to do to celebrate, I thought I'd post a few songs with the good fellow from a couple of Broadway musicals. Yes, a couple -- there are two musicals I know of that feature Benjamin Franklin, which is probably two more than most people would have guessed for a very long time. While I'm certain that 1776 comes first to mind for most people, instead we're going to start with another. It's a show that opened in October, 1964, called Ben Franklin in Paris. And it had an impressive lead -- Robert Preston, in his first musical since The Music Man. It had music and lyrics by a fellow named Sidney Michaels and also starred Ulla Sallert. The show didn't have a long run, though did play for 215 performances, which is half a year. I'm not bowled over by the score, but it does have a few nice things in it. And happily, my favorite song even has video of it when the cast appeared on The Ed Sullivan Show and performed the song and the scene that leads into it. This is "Half the Battle." The other song, "Look for Small Pleasures," is quite nice, in a small, charming way. In fact, it even had a bit of life outside the show and was recorded by several people, with moderate success. And of course we have to follow that up with something from 1776, with music and lyrics by Sherman Edwards. So, here then is "The Egg." And...oh, okay, let's throw in an offbeat bonus. No, it's not a musical about Ben Franklin, but how can we end a celebration of the good fellow without this song from Mary Poppins?! Operation Mincemeat is a British musical based on a totally ludicrous but true story about a oddball plan by MI5 in WWII to trick the Germans into thinking Britain planned to invade Greece, when the real target was Sicily. At the heart of the plan was the use of the dead body of a tramp, designed to be a British officer complete with military plans, official documents and even a love letter from his fake girlfriend. Among the intelligence team was a young officer named Ian Fleming, who of course went on to write the James Bon novels. It’s been adapted into a couple of very good movies, The Man Who Never Was, and most recently Operation Mincemeat with Colin Firth and Matthew Madfadyen. And in 2023, a lively, rambunctious comedy musical opened on the West End, where it was nominated for six Olivier Awards, winning two, including Best Musical. It’s now on Broadway, where got four Tony nominations, including Best Musical, winning for Best Supporting Actor. The casting mix-and-matches genders, with some women playing male character, and several of the mean playing women. My pal, the inveterate Chris Dunn, saw the show in New York, raved about it, and sent me a link to one particular song which is what I want to post here. It was really wonderful, but to put it in a fuller context, I’m going to start with what I think is the opening number. They performed it at both the Olivier and Tony Award telecasts, and it's wildly energetic and, from what I know about the show, is the sensibility of the evening. I’ll add that the song goes very fast, so I’ve never caught most of the words, though you can put on the Closed Captioning option (though it's a bit hard to keep up). This brings us to the song in question. It comes in the story when British intelligence realizes they need to humanize the dead body more. And decide to include a love letter. The first attempts don’t go well. That’s when one of the women officials involved tells a story about herself and a young love she lost in WWI. The story is so moving that she’s convinced to write it as the fake letter. And this is that song. Playing the young woman is Jak Malone – who won both the Olivier and Tony Awards as Best Supporting Actor. (And yes, the show overlaps genders in its casting.) Chris says that it was this number specifically that won Malone the award, that it was so emotional. Comments on YouTube with the video all say the same thing, that in the midst of this boisterous comedy, the song almost comes out of nowhere and overwhelms the audience with its emotion. This, then, is “Dear Bill”. We’re back with the sixth compilation of Broadway musicals numbers that were performed on The Ed Sullivan Show, during the show’s 23 years as a remarkable archive of musicals whose original cast performances would almost all otherwise be lost. I try to post these on the first Sunday of every month. If you miss any, just do a search for the word "Edstravaganza". We start today with the continuation of The Most Happy, that was interrupted at the end of the previous compilation. (As a refresher, you can check out that December Edstravaganza again here.) This is followed by a performance of Lerner & Loewe’s Paint Your Wagon, with one of the hit songs, “I Talk to the Trees,” from the original cast member Tony Bavaar. In the somewhat-odd, 1969 movie adaptation of the show, it was sort of, kind of sung by Clint Eastwood. From this clip, you get to hear it actually sung. In an previous compilation, we had a song from The Sound of Music. It was the original production, but from the replacement cast. This is the original cast, with two songs, including Patricia Neway singing a particularly moving rendition of “Climb Ev’ry Mountain”. Next comes another song from Destry Rides Again, for which we also had a clip in an earlier compilation. The musical starred Andy Griffith, though this is a dance production number. Worth noting is that the first outlaw who enters is introduced as Marc Breaux. He went on to have a very successful career as a choreographer for movie musicals, most famously Mary Poppins, The Sound of Music and Chitty Chitty Bang Bang. A wonderful treat comes next. Two songs from the hit musical Carnival! featuring the show's two stars – Anna Maria Alberghetti and (for those who still might not know what a truly major Broadway star he was) Jerry Orbach. I’ve never understood why Carnival! has never been made into a movie (or TV musical, which I tried to push once, suggesting it to someone who had a deal with Disney TV) – after all, it was nominated as Best Musical and is based on a classic dramatic movie, Lili, with Leslie Caron and Mel Ferrer. It's seemed ideal for a film version. So, all the more a joy to have this footage preserved. (Fun Fact: Carnival! was very loosely inspired by Kukla, Fran and Ollie. The original short story by Paul Gallico which is the basis of the show, was set in a TV studio and about a shy puppeteer whose characters talk with a woman out front. When Gallico later expanded it into a novella that takes place in a European traveling circus, he dedicated the book to Burr Tilllstrom, who created KF&O.) Then comes Anthony Newley from the show he co-wrote with Leslie Bricusse, The Roar of the Greasepaint, the Smell of the Crowd. Long ago, I posted his performance of one of the show’s big hits, “Who Can I Turn To?, but I’d never before seen this number, “Nothing Can Stop Me Now,” which Newley's beaten-down character ‘Cocky’ sings after finally, to his amazement, wins the “game” he’s been playing with the lordly ‘Sir,’ who makes up all the rules. We get a minute-and-a-half of it here, but it unfortunately cuts off at that point. However, it concludes and also adds “Who Can I Turn To?” in the next compilation upcoming. Watch this space. And as always, to give full credit, these videos were compiled by Jim Berg. Okay, it's time. The other night I popped in my DVD of the holiday gem Mr. Magoo's Christmas Carol for my annual viewing, so it's only fitting that today we offer its wonderful songs. (And a joyous addendum soon to follow -- Watch This Space.) The classic show was the first-ever animated holiday special, made in 1962 and for eight years it got repeated annually through 1969. But its simplistic animation finally caught up and alas it went out of the rotation. A shame since it's such a terrific production. For all its being Mr. Magoo and only 52 minutes long, it's a very nice adaptation of the story. And the score...well, it's Broadway quality and probably the best musical score for an animated TV special, and one of the best for TV, period. The music is by Jule Styne (Gypsy, Bells are Ringing) and the lyrics by Bob Merrill (Carnival, Take Me Along) who -- while writing this -- were, in fact, in the middle of working on Funny Girl. Though no longer on network TV, for a long time the show could be found every year on syndication. But unfortunately even that has largely faded away, though occasionally it pops up. But on its 50th anniversary in 2012, NBC brought it back to prime time, and happily its DVD release gave the show new life. By the way, because one can really not have enough of Mr. Magoo's Christmas Carol, I have a wonderful and joyous addendum to this which I'll be posting soon. Here are the wonderful songs. The first, "Ringle Ringle" introduces us to Scrooge and Bob Cratchit. When Scrooge visits the Crachit house in Christmas Present, the family sings the rousing showstopper, "The Lord's Bright Blessing." In Christmas Past, Scrooge returns to an almost-empty schoolhouse of his youth and sings a duet of himself as a young boy, "I'm All Alone in the World." Still in Christmas Past, Scrooge's fiancé Belle breaks up with him for find a new idol to love -- gold, and she sings wistfully about their love lost, the lovely "Winter was Warm." And in Christmas Future, Scrooge visits a junk shop run by thieves who have ransacked the now-empty house of a man who was died -- which he doesn't realize yet is him -- and they explain with very amusing glee that "We're Despicable." And now, we have a bonus -- more of an an addendum of sorts to the songs from Mr. Magoo's Christmas Carol. For those who were skeptical of me calling this a Broadway-quality score, It turns out (aside from the reality that it is) that the show did play on Broadway -- sort of. In 2014, the Actors Fund did a benefit concert with a fairly elaborate staged reading of the TV show, with full costumes, limited sets and even some choreography. And this is a 3-1/2 minute montage. And it looks absolutely wonderful. And sounds like they used the original music arrangements. (At the end of the video are some credits, and it notes being done with DreamWorks Animation and Margaret Styne. I'm going to guess that the former hold the rights to the TV special and the latter may hold some rights since she was the wife of composer Jule Styne.) Since the show is only about 52 minutes, it's much too short to mount a full production, but I suspect it could be paired with another one-act show or also done in community theaters. By the way, their adaptation of the thieves' song, "We're Despicable," is scary-good how close they came with the casting and even the animated choreography. Even down to the tiny details, at one point, of the comically-weird, twisty hand movements. And the Actors Fund repeated this as a fundraiser in 2019. But here are those excerpts from the 2014 production. Curtain up...! Since it is now officially 12 days to Christmas, I figured what better time to post the song "12 Days to Christmas" from the musical, She Loves Me. The show has a score by Sheldon Harnick and Jerry Bock, who wrote Fiddler on the Roof, among others. Rather than just post the audio of the song, this is a video of it, along with the last several minutes of the show. It's comes from the Roundabout Theatre production in 1983 that starred Judy Kuhn and Boyd Gaines. She Loves Me is based on the Hungarian play (and its subsequent Hollywood movie, Shop Around the Corner) which were the foundation of the movie You've Got Mail. If you've seen any of those, you'll have a good idea of what's going on in the sequence here. During the course of the song, the young man, Mr. Novak, tries to build up his relationship with Amelia Balish, with whom he had long been sniping, but only recently discovered has been his pen pal with who he's in love. The video jumps from this to the finale, when Miss Balish at last realizes he has long been her secret pen pal who she's in love with, as well. (The line he sings, to prove who he is, "I am so sorry about last night," is the first line in the letter she wrote to her pen pal, apologizing for the screw-up when they were supposed to have met at a restaurant.) And it all leads to a reprise of the wonderful song, "Ice Cream," with new lyrics for the final scene -- and then into the curtain call. And what the heck, it's 12 days to Christmas, so as a bonus lets go to "The 12 Days of Christmas." Although, this is a bit of a different version. Here are Rick Moranis and Dave Thomas from SCTV as 'Bob and Doug McKenzie' with their version of the classic song, on their “Great White North” album. |
AuthorRobert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. Feedspot Badge of Honor
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