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Decent Quality Since 1847

Hidden Harnick

5/22/2015

2 Comments

 
The other day, I posted a wonderful, little-known song here, "I Worry," by Sheldon Harnick and Jerry Bock for a little-known musical they wrote for TV, The Canterville Ghost.  It was from a terrific double-CD put out last year, Hidden Treasures, with Harnick (mostly, but not exclusively) singing his leser-known songs.

Here's another gem.

This is a wonderful song that got cut on the road for their 1960 musical, Tenderloin, which was the follow-up to their Pulitzer Prize-winning (and Tony Best Musical) Fiorello!  The entire creative team reunited, though the results weren't as strong, and the show flopped, though it did run for 216 performances, which is half a year.  The show takes place around 1930, concerning a crusading minister trying to clean up New York's red light district and a cynical reporter hoping to get a story, mainly about the minister.  As Harnick has said, the problem is that the main character is sort of a stick-in-the-mud, and the lesser character of the reporter was much more interesting.  But with noted Shakesearean actor Maurice Evans in the lead, they couldn't really trim the role, and as a result the show just didn't work well-enough.  But the score has some very nice things in it.

One thing it doesn't have in it, however, is the song, "I Wonder What It's Like," which got cut before the show made it to Broadway.  It’s sung by two naïve, innocent young ladies who work for the reformer, wondering what it’s like to have sex before you’re married.  It’s really wonderful.  During the pre-Broadway tryout, female critics loved it, but especially at that time there weren’t many of them, and the male reviewers disliked it since apparently a song like this in that era, still a fairly genteel time, made them uncomfortable.  It would likely fit just fine today if Harnick ever decided to readdress the show for revivals, which it still gets.

Well, though the song was cut, here are Harnick and Bock together singing it with much sweetness, and exuberance.  (Sheldon Harnick is the first solo voice your hear at the :30-second mark.  Jerry Bock, of course the other, is at the piano.)

2 Comments
Lisa Kadonaga
9/29/2019 02:37:04 pm

It's a charming album! My adopted brother Tim is a huge fan of "Fiddler on the Roof", and he was thrilled when I told him that there's a recording of some of the songs that weren't included in the final version of the show. (He's a filmmaker, and we've been having an ongoing discussion about his own projects, the nature of editing, and the reasons why some scenes have to be cut, even if they appear to be perfect at the time.)

The "Bootlegger" number from Fiorello! would have been pretty appropriate for that Boardwalk Empire series. I inserted it into my Fiorello! playlist just to see what it might have been like, if it hadn't been replaced. I can see what Harnick mentioned in an interview a while ago, about how they were trying to get a feel for the music of earlier decades, though they were writing the show in the late 1950s. Great that he does "Where Do I Go From Here?" too, which was a favourite of Patricia Wilson's (the original "Marie"). She wrote in her memoirs that Harnick tried to reassure her that it wasn't her fault, or anything lacking in her performance, when the song was cut from the final version of the show.

As a bonus -- there's a track of Harnick singing "Shape of Things", which I didn't know he'd written. Back in the 1980s, CBC Radio out of Toronto had a music show called "Gilmour's Albums", and that piece was one of the host's favourites. I'm not sure whether it was that show, or another one of theirs that played Broadway songs, that first introduced me to "Little Tin Box".

Reply
Robert Elisberg
9/30/2019 10:11:05 am

Lisa, thanks again for your latest thoughtful note. You might appreciate the following couple of things.

First -- this video of Charlotte Rae singing "The Shape of Things" only a few years ago with Sheldon Harnick in the audience. (Fun fact: not only did my Aunt Joan grow up with Harnick, but she and Charlotte Rae were sorority sisters at Northwestern University.)

http://www.elisbergindustries.com/blog/remembering-charlotte-rae

Second, if you're not aware of it, a very good documentary on the making of FIDDLER ON THE ROOF was very recently released, titled MIRACLE OF MIRACLES. I wrote about it here --

http://www.elisbergindustries.com/blog/capsule-reviews6847159

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    Robert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. 

    Elisberg is a two-time recipient of the Lucille Ball Award for comedy screenwriting. He's written for film, TV, the stage, and two best-selling novels, is a regular columnist for the Writers Guild of America and was for
    the Huffington Post.  Among his other writing, he has a long-time column on technology (which he sometimes understands), and co-wrote a book on world travel.  As a lyricist, he is a member of ASCAP, and has contributed to numerous publications.

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