If you missed it, as did the cowardly Trump who was too thin-skinned to show up, I've embedded below Michelle Wolf's monologue at last night's White House Correspondents Dinner. Personally, I didn't find it all that consistently good, and there were some "Really??" jokes that missed the mark by a lot -- but, she nailed quite a few that were very funny -- and pointed, and I admired her insight and willingness to be blunt. "Savage" was a word I read used in a lot of the coverage. And I particularly liked a recurring joke when she wanted to come up with a different way to criticize Trump.
The White House Correspondents Dinner speaker is a particularly challenging job. Half the room on either side of the political aisle is likely going to hate any joke you do. And the large ballroom isn't the most conducive venue for a comedy routine -- not so much for performing, but more that I've never felt the room is mic'ed for sound well, and so the response appears to be more deadened than I suspect it actually is for those in the audience. Afterwards, I watched a little discussion on TV analyzing her performance (which I found deeply thin -- the analysis, that is, as I find it tends to be after this event). One person was asked if they felt she had been an equal opportunity insulter to both parties, and the woman said "yes." Which is utterly ridiculous, because it seemed like 90% of the material was slamming Trump and the GOP. I'm not saying they didn't deserve it, just that I don't know what monologue that analyst was watching. That said, among her few jokes at the expense of Democrats, she did have a particularly good one about the Clinton campaign. She also had a several scathing jokes at the expense of Kellyanne Conway and Sarah Huckabee Sanders (who sat on the dais as a "replacement" for the absent Trump. I'm guessing she's going to tell her boss that she wishes he'd sent someone else to sit in such a visible spot. Because neither she or Ms. Conway were amused. In fairness, not all the jokes about them were that good. But some were. And they were all brutal. Or savage, take your choice... Criticism on the right about the monologue on social media was fascinating. Not that they were required to find everything in it funny (they weren't) or that they shouldn't have thought it harsh. (It was.) But for the past two years we've seen so many of Trump's harshest comments -- most memorably the ridicule of a disabled reporter -- dismissed by his spokespeople, notably Sarah Huckabee Sanders and Kellyanne Conway, as being just jokes. And his most-loyal supporters taking special pride in being called "Despicables" and going out of their way to hold up signs and rallies on behalf of being Politically Incorrect. But when there's what is literally a comedy monologue, they're complaining about it being "mean." I guess a "snowflake" is in the eye of the beholder. Speaking of which, I saw two Twitter responses that stood out for me. One was from former White House press secretary Sean Spicer, who called the monologue "a disgrace." I replied --
The other tweet came from New York Times reporter Maggie Haberman. She wrote -- "That @PressSec sat and absorbed intense criticism of her physical appearance, her job performance, and so forth, instead of walking out, on national television, was impressive." I replied back --
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From the archives. This week's contestant is Lessa Virnya from Syracuse, NY. The composer style came down to two people in my mind...and to my surprise and pleasure, I guessed it correctly. As for the hidden song, it too seemed to be between two songs, as far as I could make things out, and though both the contestant and host Fred Child couldn't get it...huzzah, I was right, again. But making it all the better is that I didn't at first realize that this was from the archives, so I played along again, not knowing that it was a repeat -- and I got both right...again! Double huzzah.
The White House Correspondents Dinner is this evening. The guest speaker is Michelle Wolf, a periodic commentator on The Daily Show and former writer for Late Night with Seth Meyers. And particularly notable for the event is that that famously courageous man Trump -- who says he would have run into the gun fire at Stoneman Douglas High School -- has cowardly decided not to show up, afraid of jokes at his expense. (Which is such an encouraging sign as he heads into nuclear disarmament negotiations with North Korea...) In his place, the White House has sent press spokesperson Sarah Huckabee Sanders, after this evening known as The Human Punching Bag.
That's when C/SPAN begins its coverage. MSNBC and CNN plan to start earlier. If the last couple years are any indication, those two channels with have their B-team on the air, pompously in tuxedos and evening wear, and doing a dismal job reporting what is going on (which is very little) and bizarrely analyzing the humor. This is a very fun video -- couple of videos, to be accurate, divided in two. I'm not completely sure where it comes from -- I'm pretty sure it's the British version of Comic Relief in 2009, though it says "Red Nose Day." It's a two-part, and impressively elaborate parody of the movie musical Mamma Mia!, done as a scathing yet affectionate homage, (Quite a trick to pull off.) But what's notable is the cast. It stars Jennifer Saunders as Meryl Streep and unites Saunders' two comedy lives -- her original partner Dawn French, and her Absolutely Fabulous partner Joanna Lumley. The latter two play Julie Waters and Christine Baran...well, no, actually Joanna Lumley doesn't. You'll see. And then toss in for good measure Sienna Miller playing Amanda Seyfried as her daughter. (Side note: in order to get a joke it helps knowing that the original film's director is Phyllida LLoyd.) While searching for video from the recent Northwestern School of Communication gala, I followed several links which tangentially -- and happily -- took me to this. It's the 2014 BAFTA Awards from the Los Angeles chapter. And Julia Louis-Dreyfus is the recipient of their Charlie Chaplin Britannia Award for Excellence in Comedy. It's a hoot. I don't like to build up expectations for humor, but sometimes you just have to be accurate. What makes it so funny isn't just the material, but her delivery. For anyone thinking of going into comedy, this should be required viewing. It's masterful. Two mentions of note. At the :17 mark, that's her husband Brad Hall who she met when they were both students at Northwestern. (Hence the tangential connection...) And at 3:24, the gentleman who comes on stage briefly is Armando Iannucci, who created the series, Veep. And co-wrote and directed the hilarious Oscar-nominated (for Best Adapted Screenplay) In the Loop and the current Death of Stalin, which I raved about here. |
AuthorRobert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. Feedspot Badge of Honor
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