Normally I’m not big on changes to existing works, but understand sometimes they’re necessary. (Hey, productions edit Shakespeare. If it's good enough to do to Will, you have to allow for some leeway with other mere mortals...) There seem to be quite a few alterations here in this NBC Peter Pan, and I withhold judgment -- but whether or not the changes are good, I at least like the way they’re going about them.
You can read the very-detailed article here.
What they’re doing with the new songs is something very uncommon when such a thing is done for a Broadway” revisiting.” Usually, new composers are brought in to try to emulate the original style (which I find painful because the new numbers leap out as not remotely as good) or use well-known songs by the original composers or far worse, by others of the era (which stand out awkwardly because they don’t fit, meant for something else entirely). But here, they're using existing though lesser-known songs written by the original composers from other shows but then having the daughter (Amanda Green) of one of the original lyricists (Adolph Green) write new words to fit Peter Pan. (It’s not just “all in the family” -- she's a lyricist herself of several musicals, and even has a Tony nomination.) Moreover, they also are bringing back a song cut during 1954 tryout of the original show, written by Carolyn Leigh and Moose Charlap..
(Historical note: Peter Pan has two sets of writing teams. The original team was Leigh and Charlap, whose songs included "I Gotta Crow," "I'm Flying" and "I Won't Grow Up." But when the original producers got concerned about the show, they brought in the more experienced Betty Comden-Adolph Green and Jule Styne, among whose songs were "Never Never Land," "Distant Melody," and "Captain Hook's Waltz.")
They are also cutting one song, which is justifiable, because it was really only written to take advantage of Mary Martin's coloratura voice, "Mysterious Lady." And rewriting the most obvious song to deal with, the problematic and today very awkward "Ugg-a-Wugg," giving it new words by Ms. Green, to be called "True Blood Brothers," which is a line in the original song.
More on the songs in a moment. But first, there are some changes I’ve read of that are another matter.
The main changes I don’t like – which the article doesn’t address -- have nothing to do with songs. As you may know (or not), the actor who plays Captain Hook traditionally also plays the father, Mr. Darling (even dating back to the original J.M. Barrie play), but they’re not doing that here. Now, it's pretty clear that the original intent has an actual dramatic point to it (as well as being fun), and it seems unfortunate to change that. It's not essential to me, but walking on very thin ice. But worse, for my taste, is that they’re trying to have their cake and eat it too, and the actor who plays Mr. Darling (the terrific Christian Borle) will also play Hook’s assistant, Smee. That strikes me as idiotic. Maybe it will work – but in concept, and until proven otherwise, I think it’s terrible. Very misguided.
(The only saving grace is that if anyone can bring it off, it might be Borle, who most recently was the rival barber, Pirelli, in the PBS production of Sweeney Todd and played Max Detweiler in last year's live version of The Sound of Music on NBC. Oddly enough, he also won a Tony Award for Peter and the Starcatcher, a wonderful play that's a sort of prequel to, of all things, Peter Pan, He's probably most recognized for playing the composer on the NBC series Smash. He'll probably be very good as both the father and Smee -- but the same actor shouldn't be playing them.)
They're also giving a new song to Mrs. Darling, in large part because they producers say that since they have Kelli O'Hara in the role, how could they not find a song for someone that good. I love Kelli O'Hara -- she's great. But that's no reason to add a song. If the song fits the moment...then terrific, I look forward to seeing Kelli O'Hara perform it. But Mrs. Darling has a pretty small focus in the show, and I hope it's kept in proper perspective, to deepen the character perhaps but not imbalance things.
All that aside, what they’re doing with the song, could be interesting, and as I said, at least they’re doing it sort of right.
But that brings us to the main reason I set out to write this -- not just to give some thoughts in advance on the changes, but since the Entertainment Weekly article names the three Comden-Green- Styne songs from other shows that are being used, I thought it would be nice to let you hear the original songs. A sort of semi-preview, as it were.
One song being used is "Ambition" from Do Re Mi. This was originally sung by the show's star Phil Silvers, to the young protege he's discovered and is trying to connive, played by Nancy Dussault (who some may recall as the mother on the series, Too Close for Comfort). It's being adapted to a song called, "Vengeance," now to be sung by Captain Hook.