Point of personal privilege. I have a friend Lynn Roth who is a quite-wonderful filmmaker. She’s best-known as a writer, having worked on numerous series, and written such TV movies as Chance of a Lifetime with Leslie Nielsen and Betty White, and The Portrait starring Gregory Peck and Lauren Bacall (now that’s quite a cast…), as well as The Patron Saint of Liars with Dana Delany and Sada Thompson. She also co-wrote the 6-hour TV fictional/documentary A Century of Women for TBS. She produced many of these and other productions, too. However, Lynn came to my attention long before I met her when she wrote and was the executive producer/showrunner of the TV series The Paper Chase, when it was revived on Showtime. (You may recall that The Paper Chase had been an excellent CBS series that ran for one season with John Houseman recreating his Oscar-winning role as Professor Kingfield. It was so highly-acclaimed though that a few years after being cancelled, some PBS stations began running the series and then Showtime brought the series back, with Houseman and James Stephens reprising their roles. I’d loved the CBS show, but the Showtime incarnation was even better, since they were able to deal with subject matter that was more substantive and could handle it in a richer way, and it ran for another five years. This new Showtime series was the one that Lynn was in charge of. I remember meeting her for the first time at a lunch of Writers Guild members. When I heard her name mentioned, I asked if she was the Lynn Roth who did The Paper Chase, and then went into detail how much I absolutely loved the show. It will not shock you to learn she was pleased…) Lynn also directed several episodes of The Paper Chase, and wanted to break into directing feature films, which is alas a big hurdle, especially for women. But eventually, her determination broke through, and she got her chance and eventually directed two movies. The first of them, Changing Habits, had a terrific cast starring Moira Kelly, Christopher Lloyd, Teri Garr and Shelley Duvall, among others. She didn’t write this one – the comedy/drama turned out to be written by another friend of mine, Scott Davis Jones – but directed it wonderfully. Her next feature film, though, she did both write and direct, The Little Traitor, based on a novel about the bond that develops between a British soldier (played by Alfred Molina) and a young boy set against the birth of the State of Israel, with a co-starring performance by Theodore Bikel. It’s terrific. Changing Habits is a lot of fun -- vibrant and rambunctious -- but unfortunately difficult to find, though this is the trailer, to at least give you a sense of it. The Little Traitor, however, is available for free to subscribers of Amazon Prime, streaming online. (You can add it to your Watch List here.) It’s really beautifully done. And this is the trailer – I mention all of this because after six years trying to get it made, Lynn has a new movie she’s directed and written. It has the unlikely title of Shepherd: The Story of a Jewish Dog. (For anyone who may be reading this overseas, in England it’s playing there as Shepherd: Hero Dog). Based on the novel by Asher Kravitz, it's the story of a dog taken from his Jewish family in Germany under the Nuremberg Laws before WWII. He is adopted by an SS Officer who trains him to round up Jews at a Nazi work camp and, soon after, the boy is sent there himself, where the dog and he cross paths. Here’s the trailer. The film was released in late May – hardly the ideal time to put out a movie, though it's done nicely. I don’t know its further national schedule , or what if any streaming service it might be on. At the moment, however, for those in Los Angeles, it’s playing at the Lumiere Cinema at the Music Hall (which used to be the Laemmle Music Hall in Beverly Hills, a more familiar name to residents). It will run at the Lumiere Cinema through October 14. If you live in the area and are thinking of going, know that the theater has an odd schedule, where they play a variety of movies throughout the day, each at their own time. For Shepherd, it plays every day at 2:20 PM. Lynn is a high quality filmmaker, and has had an impressive career. But I’ve always felt she’s deserved far more, because she’s that talented. Every step moves towards that. We’ll end with Lynn herself. This is an interview and Q&A with the audience that was done after a screening last year at the Sedona International Film Festival. The interviewer is Lynn’s longtime friend, actress-singer Lainie Kazan. And even if you only watch part of it (it's half an hour), you’ll get a nice view of Lynn and what went into making the film.
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AuthorRobert J. Elisberg is a political commentator, screenwriter, novelist, tech writer and also some other things that I just tend to keep forgetting. Feedspot Badge of Honor
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