The album takes popular Christmas songs and arrange them in the style of Baroque composers, most notably Bach, Handel and Vivaldi. Not only are the arrangements lush and vibrant, but the performances are utterly elegant. I've heard other albums try the same sort of thing, and they don't come close, sound like pleasant novelty pastiches. Mr. Breiner's arrangements (and the performances) gives new life to songs you heard many hundreds of time, and most impressively even give the sense that if these songs weren't actually written during Baroque times...they should have been.
The album was so good (and warm and rich) that it brought about a sequel. You can find both here and...well, here.
Yes, I really do love these a lot, if you haven't noticed.
To give you a sense of how good they are, here is one of the simplest Christmas tune, "Jingle Bells." Just listen to what such a basic song can sound like when does with such class and majesty. And you'd swear that it actually was written in 1749.
And this might be Peter Breiner's most impressive work on the albums, from the sequel. It's perhaps the most successful popular Christmas song, Irving Berlin's "White Christmas," somehow magnificently overlapping with Bach's Air on a G-Sring.
Just two examples of why I really do love these albums a lot.